Sunday, April 9, 2017

A Massive Dead Galaxy Existed Just 1.7 Billion Years After the Big Bang, but No One Knows How


We might be very wrong about how galaxies form.

For the first time, astronomers have spotted a massive, inactive galaxy from when the Universe was only around 1.7 billion years old, and no one can explain how it ended up there.

Our current understanding of galaxy formation states that all of the galaxies that existed back then should have been tiny and low-mass, and busy forming stars. Instead, this dead behemoth was already five times more massive than our Milky Way is now, all condensed into an area 12 times smaller, and had long finished its peak star formation.

If the discovery is verified by other teams, it means scientists will need to rethink the way galaxies form, and overhaul our assumptions about what happened in the first few billion years after the Big Bang.

It also suggests that there are plenty of surprises yet to be found at the beginning of our Universe.
"This discovery sets a new record for the earliest massive red galaxy," said lead researcher Karl Glazebrook from Swinburne University of Technology in Australia.

"It is an incredibly rare find that poses a new challenge to galaxy evolution models to accommodate the existence of such galaxies much earlier in the Universe."

While there are still a lot of unknowns about how and when galaxies start and stop forming stars, our best models assume that it happened a while after the origin of the Universe - meaning it would have been at least 3 billion years after the Big Bang before dead galaxies such as this 'red nugget' would have appeared.

In the time before that, research suggests that most galaxies would have been low-mass and busy making stars. For example, astrophysicists predict that 1.7 billion years after the Big Bang, our own Milky Way galaxy would have been a "messy little dwarf galaxy with just 1/50th of its mass today", But this new galaxy, known as ZF-COSMOS-20115, contradicts that model entirely.

The new study suggests this galaxy had formed all of its stars (three times more stars than in our Milky Way today) during a rapid star-burst event that occurred relatively soon after the Big Bang, and by 1.7 billion years into the Universe's history, it was already done.

That makes it what's known as a quiescent or 'red and dead' galaxy, which is common to see around the Universe today, but no one had expected one to exist back then.

"This huge galaxy formed like a firecracker in less than 100 million years, right at the start of cosmic history," said Glazebrook.

"It quickly made a monstrous object, then just as suddenly it quenched and turned itself off. As to how it did this we can only speculate. This fast life and death so early in the Universe is not predicted by our modern galaxy formation theories."

Researchers had previously found hints of these strange, early maturing galaxies, but this is the first time researchers have properly detected on.

To peer so far back in time, the researchers used the giant W M Keck telescopes in Hawai'i. They were looking for emissions at near-infrared wavelengths, to give them information on the presence of old stars and a lack of active star formation in old galaxies.

When they first spotted ZF-COSMOS-20115, they didn't think it could be real, Glazebrook told Gizmodo.

"We used the most powerful telescope in the world, but we still needed to stare at this galaxy for more than two nights to reveal its remarkable nature," said one of the researchers, Vy Tran from Texas A&M University.

What's needed now is follow-up observations using sub-millimetre wave telescopes - something that the James Webb Space Telescope, which is set to launch in 2018, will be able to assist with from outside the interference of Earth's atmosphere.

"Sub-millimetre waves are emitted by the hot dust which blocks other light and will tell us when these firecrackers exploded and how big a role they played in developing the primordial universe," explains one of the team, Corentin Schreiber from Leiden University in the Netherlands.

Until then, it's anyone's guess how this giant dead galaxy came about so early in the timeline of our Universe, and you can bet that mystery is going to be keeping astrophysicists up at night for the months to come.

The research has been published in Nature.

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Saturday, April 8, 2017

The Danger of Samadhi - Andrew Holecek



Sooner or later a meditator will experience samadhi, which is a time of rejoicing, and a time for concern.  Meditative absorption, as coveted as it may be, is not the point of the path, for we are not trying to create a state of mind that we then label as "spiritual."  The point is to be receptive to any state of mind, even those we deem unspiritual.  Because our normal mind is so frantic, the experience of samadhi is easily mistaken for a grand realization.  The contrast is so dramatic we think samadhi is it.

When I stumbled into my tiny samadhi during my first meditation instruction, it was both a blessing and a curse.  It was a blessing because I tasted the power of meditation and the bliss of a pacified mind.  I had no idea this dimension of experience was even possible, and a new world opened before me.  I spent the next few years trying to recapture that state.  I was hooked.  This hook is initially healthy because it pulls us towards the spiritual path, but at a certain point this hook must be cut.  Any hook, no matter how sweet, eventually leads us astray.  Sogyal Rinpoche says,
"Bad experiences, if you do not become trapped by them, are actually blessings in disguise.  In my life, really, difficulties have been my greatest teacher.  They really helped me to transform.  When you're really on the path, really true, then whatever obstacles arise they can become a blessing.  Good experiences are more dangerous.  You may become proud, or complacent, or attached – then they become traps."

There are three classic meditation experiences waiting to snare the more evolved, or lucky, meditator.  They get us because they feel so good.  These are the experiences of bliss, clarity, and non-thought, the by-products of meditative absorption.  They are the purest honey covering the sharpest hooks.  Traleg Rinpoche nails the problem when he says, "The main cause of misperceptions regarding meditation experience is that, after the loss of the initial fervor, we may forget to focus on the essence of meditation and its purpose and instead place more and more emphasis on the underlying meditative experience itself."

Bliss, clarity, and non-thought are delicious states of mind, and they are partial experiences of enlightenment.  Bliss is the experience of everything and every thought as heavenly.  We delight in whatever occurs.  We may feel like we have transcended all conflicting emotions, and express our rapture through song and dance.  Bliss easily trips us into believing we have soared into the highest states of realization.

Clarity is perceiving whatever arises as pure, sharp, and brilliant.  Phenomena are lucid and diamond-like, and it is possible to even see light emanating from objects.  Our sense perceptions are heightened and acute, we are more impervious to torpor, and everything seems awake and vibrant.  We are also able to more readily grasp and understand things.

Non-thought, or mental spaciousness, is the cessation of discursive thinking.  It is utter stillness, like diving below the surface of a stormy sea.  We are able to rest our mind in whatever state it is in.  These experiences can arise alone or in combination.  Non-thought, for example, is blissful, and gives birth to clarity.  These three experiences are mental candy, and a taste is okay, but feasting on these sweets will make your meditation sick.

If these temporary experiences, called "nyam" in Tibetan, are not understood, they poison even the most advanced meditator.  They are sophisticated traps that arise at any point, but tend to occur at higher levels.  They are common and very dangerous.  Khyentse Rinpoche said, "Meditators who run after experiences [nyams], like a child running after a beautiful rainbow, will be misled.  When you practice intensely, you may have flashes of clairvoyance and various signs of accomplishment, but all they do is foster expectations and pride – they are just devilish tricks and the source of obstacles."
I have seen many "enlightened" teachers, mostly Western, who are hooked by the experience of samadhi, and its progeny of bliss, clarity, and non-thought.  They often extol the extraordinary and ecstatic aspects of meditation, and easily snag others just as they themselves have been snagged.  Their experiences sound so delectable, so "spiritual," that it is tempting to follow their bliss.  This is another instance of why it is not always best to "follow your bliss."

There is nothing inherently problematic with these experiences, the problem is one of improper relationship.  Because they feel so good we get addicted.  Like the endorphin released in a "runner's high," these nyams, are the "meditator's high," and like any long distance runner, long distance meditators also want more of this buzz.  But as we have seen, the point is not to feel good, but to get real.  These experiences can indicate that we are doing the right thing, for they are glimpses of the nature of the enlightened mind and can point the way.  But we will lose our way if we try to repeat them.  They are by-products of meditation.  The problem is that we think they are the final product of meditation.
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Hillary Clinton Still Blames Election Loss on Everyone but Herself

Of course...

She orchestrated her own demise in an otherwise easily winnable election

Hillary Clinton says election aftermath was 'devastating'



Hillary Clinton speaks during the Eighth Annual Women In The World Summit at Lincoln Center for the Performing Arts on April 6, 2017 in New York City. Michael Loccisano/Getty Images
On April 6, Hillary Clinton spoke at the Women In the World Summit and was asked a rare question about her feelings regarding Sen. Bernie Sanders and the rift within the Democratic Party between those who supported her and progressives who supported Sanders.

New York Times columnist Nicholas Kristof asked Clinton, "I'm looking for lessons learned, and in particular…to what extent do you assign blame Bernie Sanders, to the media, for focusing on emails…" Clinton chimed in, "How much time do we have?"

The tone-deaf response presupposed that there were a variety of scapegoats that Hillary Clinton could blame her loss on.

Clinton didn't offer regrets or assume responsibility for her failure to campaign in-person in Wisconsin, lack of focus on swing states in the Midwest like Michigan, or inability to build a formidable grassroots campaign in states like Florida. Nor did she dispel scapegoating Sanders, a tactic that Democrats use to desperately try to convey the image of party unity. Citing the media as a scapegoat for the loss is another fallacious claim Clinton did not to ignore. To the contrary, nearly every major newspaper in the country openly endorsed her in the primaries and general election. The mainstream media touted her long list of endorsements—from super delegates to establishment Republicans and billionaires—as qualifications for her candidacy, parroted her campaign's press releases, and repeated the smear campaigns spewed out by her highly funded Super PACs.
Instead, Clinton lent credence to the commonly cited excuses her partisan supporters and loyalists have given. As Clinton and her followers see it, "her turn" was stolen from her. The Democratic establishment's post-election strategy has revolved around absolving Clinton from her flaws, poor campaign, corruption, missteps, and inability to resonate with voters.
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Clinton had every opportunity to run away with the 2016 presidential election, but she continually did the exact opposite of what would have led to her winning in a landslide. Her campaign viewed favorable polls arrogantly. Confident that she would win the electoral college vote but not as confident about the popular vote, they diverted resources into cities like Chicago and New Orleans. She raised a record amount of money—$1.2 billion—but spent most of it on attack ads, adopting her campaign's "pied-piper" strategy of elevating Donald Trump to provide a weak opponent.
On the same day that Clinton openly cast blame on Sanders and the media, she fulfilled the criticisms of progressives about her interventionist foreign policy, as she urged the Trump administration to escalate U.S. involvement in Syria by bombing the country's airfields. Her foreign policy was a driving factor in repelling voters from her candidacy, and the Trump administration's recent embrace of a similar hawkish policy has upset many of his most enthusiastic supporters.

Clinton's recent rhetoric demonstrates that she learned nothing from the 2016 election and that she views herself as a victim of Russia, the FBI, sexism, millennialsWikileaks, Third Party voters, and more.

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Samadhi

We are...
We personify ourselves,
categorize ourselves to find a place to belong...
We do belong...
we are told to fit in,
belong and more so tell ourselves to fit,
to find a place relative to the place of others...
we find comfort in conformity wearing masks to hide,
we exist in a chrysalis made of our own
before we are truly born...
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Alan Watts - How Illusions Become Real in your Mind



Samadhi - Guided Meditation #1- Breath as the Bridge



Before doing this meditation please listen to the 7 minute introduction introduction: http://www.samadhi.ca/0-Introduction-...
We created some resources for participants of the meditation retreats at the Samadhi Center (http://www.samadhi.ca) and decided that others may also find them helpful. Whether you are getting started in meditation, or you are interested in deepening your meditation practice, this series of guided meditations is designed to cultivate the concentration and equanimity needed to realize Samadhi. The parts are not separate meditation techniques, but part of one evolving, continuously deepening practice of observing the breath. Traditionally Samadhi is realized through deep meditation. If you want to realize Samadhi it is necessary to move beyond intellectual understanding to direct experience. 

In this series of guided meditations, it is important to have the correct relationship to the instructions in the guided meditation. The meditative technique of focusing on the breath must be understood as simply a way to divert energy from the mind, and to bring consciousness deep into the unconscious aspects of your being. The technique is not something to add to your mind or self structure. Any technique is a "thorn to remove a thorn", so you must be willing to let it go once it has served its purpose. As you move closer to Samadhi there is less mind, less technique, and less self, until there is a cessation of all activities of the self structure. This cessation of self is Samadhi, and in that stillness the dawning of wisdom or prajna is possible.

Samadhi Movie, 2017 - Part 1 - "Maya, the Illusion of the Self"



We have new films, retreats and awakening initiatives coming available periodically and we would love to share with you. If you would like to receive occasional emails from us please subscribe to our newsletter at http://www.samadhi.ca.

Samadhi Part 1 (Maya the Illusion of the Self) is the first installment of a series of films exploring Samadhi. You can purchase a high definition copy of the film for download to your computer here: http://www.innerworldsmovie.com/index...

Samadhi Part 2 "It's Not What You Think" will be coming soon. Check out the trailer here: https://www.youtube.com/watch?v=_W4jO...

This Youtube video has "community translations" turned on. Click "more" and "add translation" if you would like to contribute a translation. If you have any questions you can contact us at info@innerworldsmovie.com.

Many other parts of the Samadhi series are in various stages of completion and will follow. It is quite possible that the film is actually endless.

There are aspects in this film that rely on your understanding of concepts such as the primordial spiral, the logos, akasha, kundalini which can be found in the film "Inner Worlds Outer Worlds". The film can be watched for free at www.innerworldsmovie.com.

Please support future films (which will always be released for free to the world) by donating at http://www.innerworldsmovie.com/index...
Every small donation helps to keep production flowing.

While we greatly encourage you to freely share the links to the film, embed them and spread them freely, please do not steal the film, claim it as your own and/or monetize it on your own Youtube channel. Thank you.

Many people have sent us messages asking where they can practice meditation. Here are some resources:
1) Our own center, the Samadhi Center in Canada provides ongoing meditation retreats: http://www.samadhi.ca
2) Vipassana Meditation: www.dhamma.org
3) Zen Meditation: https://zmm.mro.org
4) Shinzen Young provides retreats which draw from many traditions: http://www.shinzen.org/

Credits:

Daniel Schmidt - Director, Producer, Writer, Narrator, Film Score, Fractal Animation, Character Animation, Editor, Special FX, Audio Post

Tanya Mahar - Co-creation, story-boarding, inner direction and sharing of inner wisdom, and endless hours of help on all levels

Jeremy Sabo- Character animation

Cameron Gray- Artwork www.parablevisions.com

Indiajiva- Music www.youtube.com/user/indiajiva

Vrindavin Das- Artwork

Stuart Griggs- Artwork

Ashley Christudason- Artwork

Barbara (Eva) Dametto- Music

Genaro Murray- Music

Contact: info@innerworldsmovie.com

How to Build a Dream Machine, Your Own Portal to Inner Visions

November 27, 2013 by Jason Louv

Build a Dream Machine, Brion Gysin and William Burroughs' Device for Sober Hallucinations, for about fifty dollars

The Dream Machine is a device for altering the brainwave frequency of the user and putting it into an alpha state, at which point it begins generating waking, sober hallucinations and internal "movies," on demand.

The machine is simple: it's a rotating cylinder with slats in the sides and a light placed inside, that creates a flicker pattern as it spins. The user of the Dream Machine sits in front of it with eyes closed, and allows the precisely-calibrated flicker pattern to play over their face, creating a strobe effect in the darkness behind their eyelids. After a short period of adjustment, the user begins to experience eidetic imagery, in the same way that one does just as passing over the threshold between wakefulness and sleep. (Due to its cylindrical nature and ability to generate internal movies, one might call it the original YouTube.)

Outer Gateways

This remarkable and overlooked object was invented in the late 1950s by artistic Renaissance man Brion Gysin and the electronics technician Ian Sommerville. Gysin was expelled from the Surrealist Group by André Breton at the age of 19; with the Dream Machine, he surpassed their previous techniques for image generation. (An example of a prior method is Salvador Dalí's Paranoiac-Critical exercise, in which the artist would fall asleep in an armchair while holding a rock in his hand and, upon his fingers relaxing and the rock crashing to the ground and waking him, would immediately record what he had just seen.) The Dream Machine allowed for a convenient and immediate way to get at eidetic imagery without having to go to sleep or take chemicals.

Gysin had been inspired by both childhood and adult experiences with the effects of flicker, by historical accounts of its use (Nostradamus was alleged to have received his visions by closing his eyes, facing towards the sun and flickering his fingers in front of his eyes) as well as by research into medical reports of its effects. At the infamous Beat Hotel in Paris where he lived with Sommerville and Burroughs (along with Allen Ginsberg, Peter Orlovsky, Gregory Corso, the vicious crime writer Derek Raymond and others) he constructed the first prototype. It quickly became a source of fascination for the Beats.

Smash the Control Images — Smash the Control Machine

Burroughs wrote about Dream Machines extensively in his novels, where he depicted them as a weapon for the freedom of consciousness in the eternal war against Control. The author spoke highly of his friends' invention, saying: "Subjects report dazzling lights of unearthly brilliance and color… Elaborate geometric constructions of incredible intricacy build up from multidimensional mosaic into living fireballs like the mandalas of Eastern mysticism or resolve momentarily into apparently individual images and powerfully dramatic scenes like brightly colored dreams."

The machine was officially unveiled in 1962, at the Louvre's Museé des Arts Decoratifs, to a fascinated public and press—but Gysin, unsatisfied with a small art audience, dreamed of mass production. Along with the cut-up method of text composition he had honed with Burroughs, Gysin considered the Dream Machine his magical message to the world.

He turned first to business magnate Helena Rubinstein, who was taken with the device and exhibited it in her shop windows, but then refused to pay for it. Next Gysin tried the Philips Corporation—a representative of the company, while visiting Gysin at the Beat Hotel, slipped on dogshit in the hall; the deal was cancelled. Later, Colombia Records wanted to market the Dream Machine as a lamp. Meeting with Colombia executives in 1965, Gysin (ever the magician) told them that vinyl records would soon be obsolete, replaced with optical discs that were read with a ray of light. He was not well received.

Communication must become total and conscious before we can stop it…

Gysin died in 1986, the cause of the Dream Machine having been taken up by his protégé Genesis P-Orridge and the loose occult and media subversion network the Temple ov Psychick Youth. TOPY both propagandized the Dream Machine and distributed information on how to make your own, using Gysin's original plans.

Since the 90s, the Dream Machine has become a kind of elitist status symbol, often found in the possession of West Coast media types and young celebrities. Kurt Cobain bought one shortly before his death. David Bowie, Iggy Pop and Paul McCartney all used it. Other aficionados include Marilyn Manson, Floria Sigismondi, Bruce Labruce, Nick Zinner of the Yeah Yeah Yeahs, Beck and DJ Spooky.

Creating your own is not hard: All one needs is a large sheet of cardboard, an X-Acto blade to cut the slats out, a light bulb on a cord and a spare turntable. Check out our instructions for doing so below!

How to Build Your Own Dream Machine (Instructions and Photos by Ultraculture Contributor Hildemar Cruz!)

It's hard for me to pinpoint the exact resource that lead me to discover the Dream Machine. Was it music, the words of Burroughs or magical experimentation? Regardless of the source, once I saw the price of some prefabricated models (roughly $450) I decided to try creating my own "innerverse" machine. I spent, altogether, about $50-60 in materials to create my own. Although I ran into some obstacles while putting my Dream Machine together, once you get all the materials, assembly can be completed within a day.

(Here's a Google Docs link to the original plans for the Dream Machine published by Thee Temple of Psychick Youth, now out of print.)
Materials needed:

32" x 32" (minimum) aluminum sheet or heavy cardboard, depending on how classy you want the Dream Machine to look.
– You can find the heavy board at any art supply store. You can cut out the pattern using any ol' blade or a Xacto knife.
– You can buy the aluminum sheet at your local hardware store. Just make sure you have the proper instruments to cut the shapes out of the aluminum and avoid warping the sheet.
78 r.p.m. turntable

– Can be found at thrift stores or second hand stores; however you must be willing to hunt for one. eBay is another good source. You can find them relatively cheap, but expect to pay a hefty shipping fee. Oh—and make sure it can actually turn 78s, not just 33s or 45s.
Light bulb, socket and power cord

– You can either take the light bulb and socket out of an old lamp, find an old lamp at a thrift store, or you can buy a lamp making kit at your local hardware store for about $10 and some change.
• Tools:

Xacto Knife or blade
– Super glue or another strong adhesive (I use Zap-A-Gap with an accelerator like Insta-Set)
– Pencil
– Ruler
– Sand paper
– Clamps
Step 1: Prepare the record player. Remove any hood, arms or other elements that will serve no purpose for the Dream Machine. Remember, all you need is the spinning table. Everything else will just get in your way.
If curiosity leads you to look under the hood of the record, so to speak, feel free to explore but be careful not to damage any of its parts, otherwise the turn table will not spin for you.



Step 2: Take your sheet of aluminum and create a grid. Each line should be two inches apart, going in both directions, creating two inch squares.

Now you can either print & cut out the templates included in the PDF instructions, or just draw them using the template as a guide. There are five different shapes. They are all a slight variations of each other set to a distinct pattern. If you want to see a full size version of each, refer to the plans or the template.

Personally, I stumbled upon some obstacles while attempting to create the hood using the aluminum sheet. I just didn't have the right tools to cut the shapes out without distorting the metal. So I switched over to the heavy cardboard sheet from my local art supply store and it worked out fine.
I like to sand the cuts afterwards just to make sure the shapes are even and aesthetically perfect, but that's up to your own taste.



Step 3: After you've cut out the pattern, you must connect the each side of the hood. Be careful! You don't want to tear the hood by handling it too roughly. If possible, carefully twist the cardboard so it takes the proper round bended shape. You may consider scoring the board so it maintains the shape, but your risk of ripping is higher.

This would be the ideal time to get an extra pair of hands to help you hold the hood in proper shape while you glue and clamp them into place. Let dry.



Step 4: If your turntable plate, like the one I bought, is not large enough to hold your hood, then you will have to create a base for it. I used a piece of the aluminum sheet that I discarded. Make it large enough that the hood can sit easily on top of it but not so large that you can't get to the buttons on the face of the turn table.



Steps 5: Place your hood on top of the turntable and set the rotation speed to 78 r.p.m.



Step 6: Suspend the lamp about 1/3 but no further than halfway into the hood of the dream machine. I just hung mine from a light fixture on the roof of my room. You may need to get an extension cord.



Step 7: Turn off all the lights and make sure you sit very close to the rotating Dream Machine while you begin your meditation. Keep your eyes closed throughout the meditation.
(If you build one, let us know how it goes in the comments below!)

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Even Shape-Shifting Aliens Will Love This Gorgeous Art Inspired by John Carpenter's The Thing





Art by Kelley Jones (see full image below). All images courtesy of Printed in Blood.

It's been 35 years since Kurt Russell, Keith David, Wilford Brimley, and the rest of the salty McMurdo crew fought an interstellar invader in deepest Antarctica. A new book celebrating John Carpenter's The Thing shows how inspirational the scifi horror film has become for artists with wildly diverse styles.

Coming this summer from Printed in Blood, The Thing: Artbook is 400 pages long and contains over 375 pages of art from over 350 artists, whose contributions (comics, fine art, illustration, animation, and more) were all created specifically for the book. There's also an intro by horror director/megafan Eli Roth and an afterword by the almighty Carpenter.
Here's a look at just some of the pieces.


Artist: Tony Harris


Artist: Kelley Jones


Artist: Daniel Nash


Artist: Bill Sienkiewicz

If you happen to be in Los Angeles tomorrow, Creature Features is hosting a huge group art show marking the 35th anniversary of The Thing and highlighting pieces that will be included in the book (find more info at the event's Facebook page). Otherwise, The Thing: Artbook is currently available for pre-order through Printed in Blood; copies will go out once it makes its official debut at San Diego Comic-Con in July.
[Dread Central]

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If Humble People Make the Best Leaders, Why Do We Fall for Charismatic Narcissists?


April 07, 2017


The research is clear: when we choose humble, unassuming people as our leaders, the world around us becomes a better place.

Humble leaders improve the performance of a company in the long run because they create more collaborative environments. They have a balanced view of themselves – both their virtues and shortcomings – and a strong appreciation of others' strengths and contributions, while being open to new ideas and feedback. These "unsung heroes" help their believers to build their self-esteem, go beyond their expectations, and create a community that channels individual efforts into an organized group that works for the good of the collective.

For example, one study examined 105 small-to-medium-sized companies in the computer software and hardware industry in the United Studies. The findings revealed that when a humble CEO is at the helm of a firm, its top management team is more likely to collaborate and share information, making the most of the firm's talent.

Another study showed that a leader's humility can be contagious: when leaders behave humbly, followers emulate their modest attitude and behavior. A study of 161 teams found that employees following humble leaders were themselves more likely to admit their mistakes and limitations, share the spotlight by deflecting praise to others, and be open to new ideas, advice, and feedback.
Yet instead of following the lead of these unsung heroes, we appear hardwired to search for superheroes: over-glorifying leaders who exude charisma.

The Greek word Kharisma means "divine gift," and charisma is the quality of extraordinary charm, magnetism, and presence that makes a person capable of inspiring others with enthusiasm and devotion. German sociologist Max Weber defined charisma as "of divine origin or as exemplary, and on the basis of it, the individual concerned is treated as a leader." Research evidence on charismatic leadership reveals that charismatic people are more likely to become endorsed as leaders because of their high energy, unconventional behavior, and heroic deeds.

While charisma is conductive to orchestrating positive large-scale transformations, there can be a "dark side" to charismatic leadership. Jay Conger and Rabindra Kanungo describe it this way in their seminal book: "Charismatic leaders can be prone to extreme narcissism that leads them to promote highly self-serving and grandiose aims." A clinical study illustrates that when charisma overlaps with narcissism, leaders tend to abuse their power and take advantage of their followers. Another study indicates that narcissistic leaders tend to present a bold vision of the future, and this makes them more charismatic in the eyes of others.

Why are such leaders more likely to rise to the top? One study suggests that despite being perceived as arrogant, narcissistic individuals radiate "an image of a prototypically effective leader."

Narcissistic leaders know how to draw attention toward themselves. They enjoy the visibility. It takes time for people to see that these early signals of competence are not later realized, and that a leader's narcissism reduces the exchange of information among team members and often negatively affects group performance.

It's not that charismatic and narcissistic people can't ever make good leaders. In some circumstances, they can. For example, one study found that narcissistic CEOs "favor bold actions that attract attention, resulting in big wins or big losses." A narcissistic leader thus can represent a high-risk, high-reward proposition.

And it's not that humble leaders can't ever be charismatic. Researchers agree that we could classify charismatic leaders as "negative" or "positive" by their orientation toward pursuing their self-interested goals versus those of their groups. These two sides of charismatic leadership have also been called personalized and socialized charisma. Although the socialized charismatic leader has the aura of a hero, it is counteracted with low authoritarianism and a genuine interest in the collective welfare. In contrast, the personalized charismatic leader's perceived heroism is coupled with high authoritarianism and high narcissism. It is when followers are confused and disoriented that they are more likely to form personalized relationships with a charismatic leader. Socialized relationships, on the other hand, are established by followers with a clear set of values who view the charismatic leader as a means to achieve collective action.

The problem is that we select negative charismatic leaders much more frequently than in the limited situations where the risk they represent might pay off. Despite their grandiose view of themselves, low empathy, dominant orientation toward others, and strong sense of entitlement, their charisma proves irresistible. Followers of superheroes are enthralled by their showmanship: through their sheer magnetism, narcissistic leaders transform their environments into a competitive game in which their followers also become more self-centered, giving rise to organizational narcissism, as one study shows.

If humble leaders are more effective than narcissistic leaders, why do we so often choose narcissistic individuals to lead us?

The "romance of leadership" hypothesis suggests that we generally have a biased tendency to understand social events in terms of leadership and people tend to romanticize the figure of the leader.

My own research shows that our psychological states can also bias our perceptions of charismatic leaders. High levels of anxiety make us hungry for charisma. As a result, crises increase not only the search for charismatic leaders, but also our tendency to perceive charisma in the leaders we already follow.

Economic and social crises thus become a unique testing ground for charismatic leaders. They create conditions of distress and uncertainty that appear to be ideal for the ascent of charismatic figures. Yet at the same time, they also make us more vulnerable to choosing the wrong leader. Crises and other emotionally laden events increase our propensity to romanticize the grandiose view of narcissistic leaders. The paradox is that we may then choose to support the very leaders who are less likely to bring us success. In a time of crisis, it's easy to be seduced by superheroes who could come and "rescue" us, but who possibly then plunge us into greater peril.

While this may sound hopeless, there is another way of looking at it. Essentially, we have the leaders we deserve. As we collectively select and construct our leaders to satisfy our own needs and desires, we can choose humility or socialized charisma over narcissism.

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